Posts

New publication out in the Space and Culture Journal on digital activism

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My publication in the Space and Culture journal is finally out! This paper draws parallels between the use of public leisure spaces in the city such as parks and squares, and the use of certain forms of digital networks . Similarities between these two sorts of social contexts are worth considering, particularly their political dimension. This efforts ituates the current conversation about social media as sites of political mobilization into dialogue with the historical analysis of public parks as spaces that, in a similar fashion, were designed for leisure and consumption but was appropriated as sites of resistance. It brings together the literature on urban parks as centers of democracy and the literature on new media spaces as portals of cyber-protest , extending the spatial history of digital politics.

Video talk: Search across borders by Institute of Network Cultures: Society of the Query#2

I was invited to speak at the Society of the Query#2 on ' The making of art knowledge via Google Images in rural India' . It was one of the more exciting venues I have been to in 2013 and much credit goes to the Institute of Network Cultures -a vibrant space for innovation and learning in Amsterdam. 

Celebrating Erasmus University's 100th Birthday & honoring Arjun Appadurai

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What a wonderful event ! It was the 100th anniversary of Erasmus University Rotterdam  on Nov 8th and for that, they did not cut corners to say the least. The event was at the de doelen, a massive orchestra house which I had never been to until now, in spite of living in the Netherlands for four years now. The hall was packed with invite-only guests that were fed a four course meal, unlimited drinks and wonderful dessert. I believe there was at least a couple of thousand people overall.  It was indeed a spectacle and I could see many Erasmus University alumni getting rather sentimental about their time at the university. De Doelen Erasmus University Campus 2013 Also, thank god the construction is gone and we now have a much improved campus. Since I came here years ago, I have gotten used to cranes and re-routes to classes and mountains of mud and construction signage all around. What a relief it is now over. Organizing Committee: Karin Willemse, Filip Ve

Frontiers of New Media Symposium at University of Utah

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So am back from the University of Utah, having participated in their Frontiers of New Media symposium . The location of Utah is not a coincidence. In 1969, the University of Utah was the fourth of four nodes of the ARPANet. It is popularly believed that the birth of the ARPANet, and later the Internet, marked the beginning of this "new frontier." To top it off, this year, the National Security Agency’s “ Community Comprehensive National Cybersecurity Initiative Data Center ” will be completed in Bluffdale, Utah. This data center will be a key archive of the electronic communications of individuals all over the world. In light of the PRISM/NSA scandal, this years symposum theme was "The Beginning and End(s) of the Internet: Surveillance, Censorship, and the Future of Cyber-Utopia." The speakers came from diverse disciplines including law, sociology, cultural studies and communication. Ron Deibert opened the symposium with an alarming keynote on the extent to wh

2 New Papers Out on First Monday: Museum 2.0 & the Fashion Blogosphere

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What a wonderful day to see 2 of my Masters students get their thesis published as papers in one of my favorite journals - First Monday . This journal is one of the first open access journals dedicated solely to the study of the Internet. It has published excellent and pioneering texts from several renowned scholars such as Howard Besser, danah boyd, John Seely Brown, Edward Castronova, Paul Duguid, Nathan Glazer, Eszter Hargittai, Lev Manovich, Helen Nissenbaum, Trevor Pinch, and Richard Wiggins. So proud of Jessica Verboom , and Kristina Sedeke , both wonderful young scholars and practitioners. So the first paper by Jessica Verboom , ' Museum 2.0: A study into the culture of expertise within the museum blogosphere' is on how museums are addressing the rise of social media and how this challenges the notion of expertise in the art world. The abstract below gives a glimpse of what its about: Abstract While studies on popular culture have a more vast understanding of

General Electric Panel on Cutting through the hype (Helsinki WCSJ 2013)

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General Electric Panel Helsinki Finland June 26 2013 (WCSJ) Just got back from Helsinki after speaking on the GE sponsored panel on energy at the  World Conference of Science Journalists 2013 ( click here for the live video recording of our panel talk ). And yes, before you even go there, it is true that I'm not an expert on energy. In fact, ask me a question on wind turbines or solar energy or whether or not fracking is good or bad for the environment, and I would just advise you to Google these issues instead. So where do I fit in on a panel with Haydn Rees, the managing director of Clarke Energy or Rhys Owen, Deputy Editor of Global Water Intelligence or Tom Freyberg, the Chief Editor of WWi Magazine? Simply put, there is no escaping the conversation of social media infiltration into all corporate spheres, including that of the energy world. In a forum such as this where science journalists are confronted time and again with the hype on citizen scientists and amate

Expertise. The judgment between art history, technology, law and market

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Next week my colleague Filip Vermeylen and I are heading to Zurich for a speaking engagement on art expertise in the digital age. This  colloquium is being organized by the Swiss Institute for Art Research (SIK-ISEA), Institute of Art History at the University of Zurich and the Centre of Cultural Law (ZKR) at Zurich University of the Arts (ZHdK). Looking forward to what apparently is going to be a very 'Swiss' experience as the talks will be in German, English and French with simultaneous translations!  Besides, this could not have come at a better time as we just published a paper in the Information, Communication and Society Journal that speaks directly to this topic. Basically, the premise for our talk is based on the fact that at this point, few challenge the fact that recent developments in the art world are hugely impacting the process of knowledge construction in the arts and the valorization process in the art market. According to some observers, the digital