The 3L Mantra to live by!

Studio Erasmus hosted an event at the International Film Festival in Rotterdam (IFFR) on h ow does Netflix affect our film tastes? Filip Vermeylen and I were interviewed about the impact of algorithms on popular culture and to what degree did we believe this new innovation was disruptive? Are platforms like YouTube and Netflix restructuring the film and television world? What does the disappearance of traditional 'gatekeepers' mean? And do we actually allow ourselves to be surprised in an age where our media use is analysed in so much detail to create new blockbusters? This was really timely as I have been working on this for awhile now and especially with my new book, I argue that we need to start looking at the worlds majority of young people as legitimate consumers who happen to be outside the West and often in low-income settings. For too long we have had a condescending view that they are criminals and immortal as they consume pirated goods rather than delving into t...

I am so proud of my recently graduated master students Jessica Verboom and Daria Gladysheva for successfully working together on this paper and getting it published in the Digital Culture and Education Journal. So far, in the last 5 years, I have co-published 4 articles with my students and I hope many more to come. Its good to see their work reaching the public as we are mainly targeting open access journals for wider readership. So this paper is about the phenomenon of museum communication through online video hostings, either by using YouTube or a customized platform. The videos uploaded by museums present a combination of educational and entertaining content depending on their objectives, attracting users to watch art content online. While the literature on uses and gratification is highly represented in media studies, few studies exist about the specific user motivations and gratifications of new media platforms in a museum context. Three types of users were identified ...

Dr. Payal Arora, a member of The Erasmus Centre of Media, Communication and Culture (ERMeCC) has received € 135,000 from the EUR fellowship grant scheme for 2012-2014 to study the conceptualizing of leisure spaces in the digital age. For the next two years, the recipient of this grant Dr Arora will be investigating how real and virtual leisure spaces can be comprehensively framed through a historical, transnational and cross-cultural lens. This project has also procured a book contract with the Studies in Science, Technology & Society Series of the Routledge/ Taylor & Francis Group. The forthcoming book will be published under the title, "Virtual and Real Leisure Spaces: A Comparative and Cross-Cultural Analysis." In essence, the early 20th century birthed a radical phenomenon across several cultures and nations- the demarcating of certain public space for primarily leisure purposes. From India to the United States, urban parks became a symbol of democracy, openness,...

If only the dead could talk, they would tell us what really happened… and sometimes they do. Rodrigo Rosenberg, a lawyer in Guatemala was murdered on May 10th 2009 by an unknown gunman. However, he continues to talk through YouTube, channeling his blame towards President Alvara Colom and others for his death. http://www.youtube.com/watch?v=VxZptUp9a44&feature=fvst This digital expose of claimed corruption and conspiracy is becoming a common phenomenon. In India, the Tehelka news magazine revealed tapes implicating Gujarat minister Narendra Modi and other politicians for the mass killings of Muslims in the infamous Gujarat riots in 2002 through their taped confessionals. http://www.youtube.com/watch?v=0z114wnwXtQ On a less grisly note, who could forget the Mexican Zapatista movement, an armed revolutionary group in Chiapas, Mexico that brought their movement into the international limelight through the strategic use of the Internet. Their desire for indigenous control of their local...