Showing posts with the label metaphors

Review of my paperback out: "The Leisure Commons: A Spatial History of Web 2.0"

When we write books, it seems to take forever and yet, once published, it is amazing how quickly it disappears from our horizons as we move to the next project. The academic rat wheel I guess. So it is always a pleasant surprise to encounter a positive review of one's book , reminding one of all the energy and passion that went into the makings of the book. My recently published book, The Leisure Commons: A Spatial History of Web 2.0   was reviewed for the Journal of Popular Culture  by Kiranjeet Dhillon of University of Wisconsin Milwaukee. Here is an excerpt : “Readers will value Arora’s argumentative advances from chapter to chapter. Arora thoroughly explains and articulates The Leisure Commons and appeals to a vast inter-disciplinary audience of media, rhetorical, visual culture, critical/culture studies, history, and geography scholars. In particular, media and rhetorical scholars will find that Arora’s metaphorical framework offers insight in regards to the digital publ

New Paper Out in the Current Sociology Journal: Typology of Web 2.0 spheres

My paper, " Typology of Web 2.0 spheres: Understanding the cultural dimensions of social media spaces" has come out in the Current Sociology Journal. Abstract: It has taken the past decade to commonly acknowledge that online space is tethered to real place. From euphoric conceptualizations of social media spaces as a novel, unprecedented and revolutionary entity, the dust has settled, allowing for talk of boundaries and ties to real-world settings. Metaphors have been instrumental in this pursuit, shaping perceptions and affecting actions within this extended structural realm. Specifically, they have been harnessed to architect Web 2.0 spaces, be it chatrooms, electronic frontiers, homepages, or information highways for policy and practice. While metaphors are pervasive in addressing and normalizing new media spaces, there is less effort channeled into organizing these digital domains along cultural lines to systematize and deepen understandings of its histories,