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Showing posts with the label algorithms

Talk at the International Film Festival Rotterdam on algorithms and media consumption

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Studio Erasmus hosted an event at the International Film Festival in Rotterdam (IFFR) on how does Netflix affect our film tastes? Filip Vermeylen and I were interviewed about the impact of algorithms on popular culture and to what degree did we believe this new innovation was disruptive? Are platforms like YouTube and Netflix restructuring the film and television world? What does the disappearance of traditional 'gatekeepers' mean? And do we actually allow ourselves to be surprised in an age where our media use is analysed in so much detail to create new blockbusters?

This was really timely as I have been working on this for awhile now and especially with my new book, I argue that we need to start looking at the worlds majority of young people as legitimate consumers who happen to be outside the West and often in low-income settings. For too long we have had a condescending view that they are criminals and immortal as they consume pirated goods rather than delving into their ta…

Delivered a keynote on Automating Culture

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A few days ago, I delivered a keynote on ‘Automating culture: How Digital Platforms are Shaping the Art World’ for an international conference organized by Prof. Filip Vermeylen. For about a decade now, we both have been working on the democratization possibilities of the art world through the rise of social media and globalization through the new cultural commons project.

The talk was about how the art world has entered the platform economy. The art industry is being subjected to similar fears and possible opportunities of automation as other cultural industries such as the music, film and the publishing business. Hence, it asks some key questions: Can the traditional art intermediaries still compete in the platform economy as data mining companies enter the fray? Has the divide between the high and the popular culture collapsed as user behavior, platform design and engineering staff circulate between these worlds? Do customers no longer care about the aura of the art piece before bu…