Posts

Showing posts with the label participatory culture

Big data and the Politics of Participation: Plenary Talk at the Technology, Knowledge & Society Conference, Berkeley

Image
It was a wonderful experience to serve as a Plenary Speaker for the Technology, Knowledge & Society Conference held this time at the University of Berkeley, California. The theme was ' Big Data and the Politics of Participation in a Digital Age .' Since the other plenary speaker  Deirdre K. Mulligan  from Berkeley's School of Information was talking primarily on the legality of big data and how diverse corporations interpret compliance in the United States and Europe, it was nice to contrast this with perspectives from the global South. After all, most of the conversation around big data seems to be hijacked by Western concerns, issues and contexts. My talk, ' Bottom of the Data Pyramid: Big data perspectives from the global South ' played with the much hyped Development idea on the bop as a new consumer base, inverting decades of viewing the poor in the global South as passive beneficiaries to now active co-creators of their own data.What do we know after

Expertise. The judgment between art history, technology, law and market

Image
Next week my colleague Filip Vermeylen and I are heading to Zurich for a speaking engagement on art expertise in the digital age. This  colloquium is being organized by the Swiss Institute for Art Research (SIK-ISEA), Institute of Art History at the University of Zurich and the Centre of Cultural Law (ZKR) at Zurich University of the Arts (ZHdK). Looking forward to what apparently is going to be a very 'Swiss' experience as the talks will be in German, English and French with simultaneous translations!  Besides, this could not have come at a better time as we just published a paper in the Information, Communication and Society Journal that speaks directly to this topic. Basically, the premise for our talk is based on the fact that at this point, few challenge the fact that recent developments in the art world are hugely impacting the process of knowledge construction in the arts and the valorization process in the art market. According to some observers, the digital