The 3L Mantra to live by!

When we write books, it seems to take forever and yet, once published, it is amazing how quickly it disappears from our horizons as we move to the next project. The academic rat wheel I guess. So it is always a pleasant surprise to encounter a positive review of one's book , reminding one of all the energy and passion that went into the makings of the book. My recently published book, The Leisure Commons: A Spatial History of Web 2.0   was reviewed for the Journal of Popular Culture  by Kiranjeet Dhillon of University of Wisconsin Milwaukee. Here is an excerpt : “Readers will value Arora’s argumentative advances from chapter to chapter. Arora thoroughly explains and articulates The Leisure Commons and appeals to a vast inter-disciplinary audience of media, rhetorical, visual culture, critical/culture studies, history, and geography scholars. In particular, media and rhetorical scholars will find that Arora’s metaphorical framework offers insight in regards to the di...

My colleague Filip Vermeylen and I have been working for a number of years on the extent to which the internet serves as a game changer in the art world. We have already published quite a bit on this, including our article on ' the end of the art connoisseur ?' and ' digital art markets. It has been an exciting journey so far working with someone from a completely different discipline -cultural economics and art history. Perhaps because of this unusual mix of bringing Media Studies with Art Economics, we have had quite an adventure in our invited lectures, be it at ' Sotheby's ,  Duke's Visual Studies Initiative  to the  Swiss Institute for Art Research . NIAS venue-Netherlands We keep hearing how academia pays only lip-service to interdisciplinary work, especially in grant acquisition. Yet, we persisted as we believe that it is essential if we are to find some original answers to these hyped and revolutionizing notions on how the art world is tr...