The 3L Mantra to live by!

I am so proud of my recently graduated master students Jessica Verboom and Daria Gladysheva for successfully working together on this paper and getting it published in the Digital Culture and Education Journal. So far, in the last 5 years, I have co-published 4 articles with my students and I hope many more to come. Its good to see their work reaching the public as we are mainly targeting open access journals for wider readership. So this paper is about the phenomenon of museum communication through online video hostings, either by using YouTube or a customized platform. The videos uploaded by museums present a combination of educational and entertaining content depending on their objectives, attracting users to watch art content online. While the literature on uses and gratification is highly represented in media studies, few studies exist about the specific user motivations and gratifications of new media platforms in a museum context. Three types of users were identified ...

My colleague Filip Vermeylen and I have been working for a number of years on the extent to which the internet serves as a game changer in the art world. We have already published quite a bit on this, including our article on ' the end of the art connoisseur ?' and ' digital art markets. It has been an exciting journey so far working with someone from a completely different discipline -cultural economics and art history. Perhaps because of this unusual mix of bringing Media Studies with Art Economics, we have had quite an adventure in our invited lectures, be it at ' Sotheby's ,  Duke's Visual Studies Initiative  to the  Swiss Institute for Art Research . NIAS venue-Netherlands We keep hearing how academia pays only lip-service to interdisciplinary work, especially in grant acquisition. Yet, we persisted as we believe that it is essential if we are to find some original answers to these hyped and revolutionizing notions on how the art world is tr...

Sotheby's Art Institute and University of Cambridge Judge Business School organized a very stimulating workshop with a lecture series on the new risks in the art market from multiple perspectives including economists, business folk, art dealers, auctioneers, and media experts: Exploring Risk and Uncertainty: Metaphors from the Art Market Questions about the role of information in valuation, the new sources of knowledge and the management of these sources for assessment, the place of originality of the art in contemporary valuation and more were tackled and discussed. Filip Vermeylen and I presented on specifically intermediaries, from the past to the digital present and the implications new media has in this age old gate-keeping space when it comes to making decisions and evaluations on art value. Battling Uncertainty: Old and New Experts in the Market for Visual Arts Our paper explores the position and purpose of experts in the art world over time. It has been long under...

Commuting can be a drag, even more so in a densely populated city like Manhattan . I’ve done the uptown-downtown journey for years where you learn to block ungainly sights, smells and sounds on the subway. It’s a talent onto itself really. Jammed with the loudly enthusiastic tourists, the drunk and the homeless, and the emaciated college kids heading to east village, you develop a protective force field that usually is a potent combination of your iPod, the Economist and shades. That said, it is astonishing that the Metropol itan Transit Authority (MTA) takes this reality and turns it to its advantage. Understanding that New Yorkers are constantly on the move, it capitalizes on this and makes this commute a cultural experience. And we do stop and notice. While there is comfort in standardization through the quintessential subway blue and white tiles, there is also difference. Difference that reflects specific neighborhood stops. So if you get off the Natural history museum , that’s ea...

What a wonderful idea isn't it? To make " high " culture a popular event is a challenge that the Netherlands seems to have met and even superseded expectations. Here's a glimpse of the program of the night: All 45 museums and galleries participating in the ninth edition of the Rotterdam Museum Night have announced their programmes, inspired by the theme XS/XL. The spectacular opening at 20.00 hours outside the Laurenskerk will kick off with a musical highlight of XS singing tones, XL music and 999 eyes that will be let off to wander through the night by the minister of Culture Ronald Plasterk. The programme of the Museum Night is varied and consists of pure highlights. The Witte de Withstraat and the Museumpark is the booming centre of the night. Let yourself be surprised by the eccentric circus at Alliance Française or relive your puberty in the National Museum of Education (Nationaal Onderwijsmuseum). Make your own inventions in the Kunsthal, create your own dream...