Wednesday, January 17, 2018
Sunday, December 21, 2014
So this paper is about the phenomenon of museum communication through online video hostings, either by using YouTube or a customized platform. The videos uploaded by museums present a combination of educational and entertaining content depending on their objectives, attracting users to watch art content online. While the literature on uses and gratification is highly represented in media studies, few studies exist about the specific user motivations and gratifications of new media platforms in a museum context. Three types of users were identified in this study. The first type – art-oriented users – display extrinsic motivation towards art exploration and seek for videos with educational content. The second type and the most widespread on these spaces – entertainment-oriented users – are intrinsically motivated and concentrate on the entertaining content of museum videos. Users of the last type are averse to exploring art content online, unless they are defined as non-art related. Overall, this paper argues that as art becomes a cultural product to be consumed online, popular video portals such as YouTube serve as an important platform to facilitate this democratizing effect, with varied implications for the art world.
We should not be too quick to celebrate democratization though as quality comes to question and the age old issue of pandering to the popular taste lingers through this conversation. That said, this has most promise to engage the youth and folks in emerging economies who perceive museums as a predominantly white and elite institution that excludes rather than democratizes culture. For more details on this, click on the link here