The 3L Mantra to live by!

Next week my colleague Filip Vermeylen and I are heading to Zurich for a speaking engagement on art expertise in the digital age. This  colloquium is being organized by the Swiss Institute for Art Research (SIK-ISEA), Institute of Art History at the University of Zurich and the Centre of Cultural Law (ZKR) at Zurich University of the Arts (ZHdK). Looking forward to what apparently is going to be a very 'Swiss' experience as the talks will be in German, English and French with simultaneous translations!  Besides, this could not have come at a better time as we just published a paper in the Information, Communication and Society Journal that speaks directly to this topic. Basically, the premise for our talk is based on the fact that at this point, few challenge the fact that recent developments in the art world are hugely impacting the process of knowledge construction in the arts and the valorization process in the art market. According to some observers, the digital

A new paper (PDF) that I co-authored with Sorina Itu on the analysis of serious games usage by INGOs as a means to foster virtual activism has just been published in the International Journal of Game-Based Learning . Sorina Itu deserves significant credit for this as she embarked on gathering data on which this paper is based on. Basically, this is about the battle between educators and entertainers specifically when it comes to gaming. This paper argues that the edutainment battleground has expanded to include actors outside formal schooling agencies, namely International Non-Governmental Organizations (INGOs) . These actors employ digital games with the aim to educate and activate towards specific social causes. These serious games are viewed to have tremendous potential for behavioral change through their interactive and persuasive aspects. This paper examines serious games deployed by certain prominent INGOs and analyzes the educative aspects of such new media platforms.

Nimmi Rangaswamy from Microsoft Research Labs India and I have been working on creating momentum in shifting the focus of ICTs for International Development (ICT4D) research towards a broader and less utilitarian perspective. Over the years, it has been interesting to see how Nimmi and I through our independent anthropological fieldwork were coming to a similar conclusion on the need to pay attention to "leisure" behavior of Internet users in emerging markets if we are to genuinely understand the multiple dimensions of new media practice in the global South. For instance, her research with Kentaro Toyama on cyberkiosks revealed the following: From field ethnography, we find that urban youth slang and speech styles do not lag behind in villages. Neither do communication styles and channels. Instant messaging is immediately embraced by younger kiosk operators. Fan clubs of matinee idols bring in youth fashion and trends along with film music. Most popular films and

I am co-organizing a conference with Wouter Been and Mireille Hildebrandt from the Faculty of Law at Erasmus University Rotterdam on The Shape of Diversity to Come: Global Community, Global Archipelago, or a New Civility? The Call for abstracts is open (Deadline October 21st 2012) Check out the website for more details: Keynote speakers Julie Cohen is a Professor of Law at the Georgetown University Law Center. She recently published Configuring the Networked Self: Law, Code and the Play of Everyday Practice (Yale University Press, 2012). Chandran Kukathas is author of The Liberal Archipelago: A Theory of Diversity and Freedom (Oxford University Press 2003). Kukathas is currently chair of Political Theory at the London School of Economics. Emmanuel Melissaris is Senior Lecturer in Law at the LSE Department of Law. He is the author of a recent work on legal pluralism and legal theory Ubiquitous Law: Legal Theory and the Space for Legal Pluralism (Ashgate, 2009). Jos de M

A joint paper with Filip Vermeylen is out in the Information, Communication and Society Journal. This is part of a larger research effort to understand the impact of digitalization and globalization on the art market as we compare the art worlds of Mumbai, Amsterdam and New York. While I bring the new media angle to this with a special focus on how emerging markets are capitalizing on virtual platforms to reinvent and structure themselves through strategic information indexing online, possibly creating new post-colonial art spaces, Filip is taking on a more economic and historical angle to see how these markets are shifting and decentralizing from the typical Western to a more Postmodern frame. PAPER TITLE:  THE END OF THE ART CONNOISSEUR? EXPERTS AND KNOWLEDGE PRODUCTION IN THE VISUAL ARTS IN THE DIGITAL AGE (download PDF) ABSTRACT:  In this digital age, declarations surface of the death of the expert and the democratization of information. Crowd wisdom is seen as the new g

My article on INGO organizational culture and its shaping of the microfinance development project is now out in the Development in Practice Journal. Click HERE for the full article: Title   " Your kool-aid is not my kool-aid:" ideologies on microfinance within an INGO culture Abstract Development investigations focus on synergies of institutional cultures for policy and practice. International non-governmental organisations (INGOs) currently enjoy a privileged position as harbingers of world culture unity. While there is contestation on INGOs as monolithic entities, few studies delve into the voices of actors within INGOs to provide for a more pluralistic perspective. This paper separates the actors from their institution by examining their different socio-cultural takes that drive them. This emphasises that as projects and visions come and go, institutional actors draw on their own philosophy that does not necessarily mirror their institution’s stance. Here, the

I recently attended and presented at my first Netherlands conference at the University of Utrecht on Media, Migration and Diasporas in a Transnational Perspective . It dawned on me that after three years of being in the Netherlands, I've not actually attended a local conference until now. Partly its because I believed somehow that these linkages within and between universities in the Netherlands would happen organically since its such a densely knit and small country. Ironically, I believe now that because of these factors, these linkages are far weaker as the Dutch tend to reach out rather than within to build networks across Europe and beyond. So its not a coincidence that this 'local' conference was deeply international as it was the culmination of a grant project entitled “Wired Up: Digital media as innovative socialization practices for migrant youth”, carried out by the Faculty of Humanities (project leader Dr. Sandra Ponzanesi) and the Faculty of Social Sciences