The 3L Mantra to live by!

Amazing performance and idea by the Dutch National Ballet and beautiful photos by Jan Jaap Heine

For every ten of those Mac worshiping, crackberry addicted, Starbucks weekend worker bees, there is always someone who makes noise of living simply, living deeply, living…period. Modern life is defined by this antithesis; the romanticism of nature rises as we get more technologically dependent and removed from the workings of the daily struggles for sustenance. We immerse in nature temporarily and dwell deeply in concrete worlds; we prefer to be unfamiliar with nature and familiar with the city, our daily landscape that we navigate through. But every once in a while we are called upon to pause, to pay attention, to reflect by physically and emotively experiencing the environment that nurtures us, with a hope that we will realize why it needs to be nurtured in turn. Alan McSmith, a nature guide who has worked for 25 years in the wilderness of Africa and an advocate for environment conservation, is one such soul. His talk starts with the audience surrounding a digital campfire on the st...

Who doesn’t love ‘B aby Mozart’? A multimedia edutainment, this musical toy lures parents with the promise of opening up their child’s latent creativity and spatial-reasoning. In fact, the popularization of music within the cognitive domain has pervaded our day-to-day lives as we see this as a means to healing and a balm for many other afflictions such as autism, Alzheimer's disease and disabilities that result from stroke. Part of this attraction is perhaps in its primal status as it serves as a listening stimulus with seemingly transformative powers. Across cultures it appears that peoples’ pleasures and sense of well-being are tied to their passion for music. Yet, can we authoritatively say that we all have musical predisposition? Are we just little Mozarts waiting for the right stimulation to tap into the well of our primitive and latent musical nature? Are we all somehow born with a beat to our steps? Apparently, there’s no point denying it…regardless of who you are or whe...

Sheer poetry through the hokey pokey! The launch of TEDxAmsterdam by the Dutch National Ballet compels us to emerge, engage, and enter with our left leg, right leg, and oh all of our senses! Ballet artists enter the stage and their seemingly random movements are shown from above behind them, allowing us to see how chaos slowly but surely comes together, becoming the sensible as well as the sensational. And what a way to represent the TEDxAmsterdam theme of 'human nature !' After all, what comes to mind when we speak of ‘human nature’ are notions of being organic, raw, and spontaneous. Yet, when grappling with what constitutes as being human in this current time, we have become more and more preoccupied with significant alienations that occur around us. Crisis looms and reminds us of our vulnerabilities from the possible euro meltdown, techno-hackings to the continuous struggle for political freedoms across the Middle East. The brain takes over, rationalizing, segmenting, dis...

Let’s just get this out of the way. Yes, I am still a hardcore TED groupie. Okay, I did not spend all of last year crossing the days off the calendar but did engage with tremendous foreplay - the communication process building up to next week’s TEDx Amsterdam event. Creating the profiles of this years’ speakers to release to the press flirted with my senses, compelling me to look them up on Wikipedia, YouTube and other digital platforms, consuming them voraciously in their presentation style and novelty of their ideas. Almost started to stalk some of them on Twitter but my saner part was kind enough to remind me that I really don’t have much in common with Computer-mediated Epistemology or Musical Cognition in the long run. Ah but that is why this event, a gathering of artists, designers, scientists, architects, technologists, and activists is so unusual and addictive – the adrenaline rush of immersing into unknown territories and specialties with just one common thread –ideas worth...

Sotheby's Art Institute and University of Cambridge Judge Business School organized a very stimulating workshop with a lecture series on the new risks in the art market from multiple perspectives including economists, business folk, art dealers, auctioneers, and media experts: Exploring Risk and Uncertainty: Metaphors from the Art Market Questions about the role of information in valuation, the new sources of knowledge and the management of these sources for assessment, the place of originality of the art in contemporary valuation and more were tackled and discussed. Filip Vermeylen and I presented on specifically intermediaries, from the past to the digital present and the implications new media has in this age old gate-keeping space when it comes to making decisions and evaluations on art value. Battling Uncertainty: Old and New Experts in the Market for Visual Arts Our paper explores the position and purpose of experts in the art world over time. It has been long under...

It’s been almost a decade since I left the art world to pursue academia. From convincing CEOs and their interior designer sidekicks to buy a Toy painting from the Warhol series for the children’s room to now convincing students to learn how to communicate when selling themselves and their ideas, things have changed somewhat. But it’s hard to forget the adrenaline of clinching a deal, of convincing your client that a Chagall lithograph was meant for them as you dimmed the lights in the viewing room, got them to nurse some wine and relax on the leather couch in the privacy of the gallery room. In my naïve days, I thought information deeply mattered. I thought a buyer would be interested and would demand knowledge on the background of the artist, their historical significance, the artistic significance of the piece to the provenance of the artwork. Yet over time, you get to realize that decision-making is a more irrational process and rationality comes often after the deal is do...