The 3L Mantra to live by!

A few colleagues and I went out for dinner some time back and bonded over the usual small talk of renting and work and relationships. One of my colleagues made the conversation rather spicy by telling us that he lived in a commune in Amsterdam where there were about 10 people and that they often had dinner together in the evenings. He admitted that it was partly due to the cheap rent that drew him to this commune as much as the ideals. This got me thinking of a commune I encountered in my fieldwork two years ago when writing my book . I had gone to the Central Himalayas for research where I encountered the Mirtola ashram , a place where people voluntarily left their 'material' life behind in the cities and dedicated to living a simple and 'honest' life through the tilling of the land, growing their own produce, living with and within nature and praying to the Gods through a ritualistic practice every evening. Within a matter of months, much infighting began. Some did l

The Australian Journal of Anthropology (ISI/SSCI Indexed journal) Dot Com Mantra: Social Computing in the Central Himalayas P. Arora. Farnham, Surrey: Ashgate, 2010. xv + 172 pp. Illustrmap, bibliog., index. ISBN 978-1409401070. £50.00 (Hc.) Arora’s book offers an ethnographic answer to a common question in development studies: can new technologies transform other cultures effectively and for the better? Not surprisingly for an ethnographer, her answer is a critique of the technological determinism inherent in this question. She focuses on the introduction of computers in Almora, a town in rural northern India where a long-standing web of Non-Governmental Organisations (NGOs) has steadily tried to influence people’s behaviour. Computers are but one of the technologies that NGOs hope will transform these farmers’ and villagers’ lives. A pastiche of types of organisations are introducing computers in the central Himalayas—some strikingly hands-off educational NGOs, some government-sp

It’s a good sign when you don’t use much of your carefully planned PowerPoint slides when interacting with the youth. Had a wonderful discussion with an engaged and critical group of Language students at the University of Jordan on new technologies, business communication and culture as well as with a significant number of youth who attended the Leaders of Tomorrow event at the King Hussain Cultural Centre organized around this topic. Granted, many seemed to come from a privileged background with impeccable English and an international exposure. This by no means discounts their perspective. In fact, given my experience in India and the fact that I’m a product of such privilege, I’m acutely aware of that thin line between belongingness and responsibility that the fortunate feel towards their immediate surrounding versus the feeling of affinity towards that of afar. It is much too easy to become civically disengaged from our context and I’d even argue that much of the youth, be i

A few months ago I was contacted by the Netherlands Institute of Beirut to see if I would be interested in talking about culture and business in the Middle East. This is part of their upcoming initiative to create bridges between the Middle East and the Netherlands, starting within an academic setting. Part of this commendable drive it seems to me is a response against this growing Islamophobia within Europe which is of course deeply troubling. What better way than to engage the youth across these borders in areas of common interest. I like the idea that instead of going there to be preachy about intercultural harmony and respect, that we choose a topic that the youth are genuinely engaged with and from there see how culture actually matters. So of course it’s of little surprise that the topic that youth in the Middle East seem to be interested in is that of business, social media and globalization. And for good reason. Like other young people across the globe, I believe they a

Amazing performance and idea by the Dutch National Ballet and beautiful photos by Jan Jaap Heine

For every ten of those Mac worshiping, crackberry addicted, Starbucks weekend worker bees, there is always someone who makes noise of living simply, living deeply, living…period. Modern life is defined by this antithesis; the romanticism of nature rises as we get more technologically dependent and removed from the workings of the daily struggles for sustenance. We immerse in nature temporarily and dwell deeply in concrete worlds; we prefer to be unfamiliar with nature and familiar with the city, our daily landscape that we navigate through. But every once in a while we are called upon to pause, to pay attention, to reflect by physically and emotively experiencing the environment that nurtures us, with a hope that we will realize why it needs to be nurtured in turn. Alan McSmith, a nature guide who has worked for 25 years in the wilderness of Africa and an advocate for environment conservation, is one such soul. His talk starts with the audience surrounding a digital campfire on the st

Who doesn’t love ‘B aby Mozart’? A multimedia edutainment, this musical toy lures parents with the promise of opening up their child’s latent creativity and spatial-reasoning. In fact, the popularization of music within the cognitive domain has pervaded our day-to-day lives as we see this as a means to healing and a balm for many other afflictions such as autism, Alzheimer's disease and disabilities that result from stroke. Part of this attraction is perhaps in its primal status as it serves as a listening stimulus with seemingly transformative powers. Across cultures it appears that peoples’ pleasures and sense of well-being are tied to their passion for music. Yet, can we authoritatively say that we all have musical predisposition? Are we just little Mozarts waiting for the right stimulation to tap into the well of our primitive and latent musical nature? Are we all somehow born with a beat to our steps? Apparently, there’s no point denying it…regardless of who you are or whe

Sheer poetry through the hokey pokey! The launch of TEDxAmsterdam by the Dutch National Ballet compels us to emerge, engage, and enter with our left leg, right leg, and oh all of our senses! Ballet artists enter the stage and their seemingly random movements are shown from above behind them, allowing us to see how chaos slowly but surely comes together, becoming the sensible as well as the sensational. And what a way to represent the TEDxAmsterdam theme of 'human nature !' After all, what comes to mind when we speak of ‘human nature’ are notions of being organic, raw, and spontaneous. Yet, when grappling with what constitutes as being human in this current time, we have become more and more preoccupied with significant alienations that occur around us. Crisis looms and reminds us of our vulnerabilities from the possible euro meltdown, techno-hackings to the continuous struggle for political freedoms across the Middle East. The brain takes over, rationalizing, segmenting, dis

Let’s just get this out of the way. Yes, I am still a hardcore TED groupie. Okay, I did not spend all of last year crossing the days off the calendar but did engage with tremendous foreplay - the communication process building up to next week’s TEDx Amsterdam event. Creating the profiles of this years’ speakers to release to the press flirted with my senses, compelling me to look them up on Wikipedia, YouTube and other digital platforms, consuming them voraciously in their presentation style and novelty of their ideas. Almost started to stalk some of them on Twitter but my saner part was kind enough to remind me that I really don’t have much in common with Computer-mediated Epistemology or Musical Cognition in the long run. Ah but that is why this event, a gathering of artists, designers, scientists, architects, technologists, and activists is so unusual and addictive – the adrenaline rush of immersing into unknown territories and specialties with just one common thread –ideas worth

Sotheby's Art Institute and University of Cambridge Judge Business School organized a very stimulating workshop with a lecture series on the new risks in the art market from multiple perspectives including economists, business folk, art dealers, auctioneers, and media experts: Exploring Risk and Uncertainty: Metaphors from the Art Market Questions about the role of information in valuation, the new sources of knowledge and the management of these sources for assessment, the place of originality of the art in contemporary valuation and more were tackled and discussed. Filip Vermeylen and I presented on specifically intermediaries, from the past to the digital present and the implications new media has in this age old gate-keeping space when it comes to making decisions and evaluations on art value. Battling Uncertainty: Old and New Experts in the Market for Visual Arts Our paper explores the position and purpose of experts in the art world over time. It has been long under

It’s been almost a decade since I left the art world to pursue academia. From convincing CEOs and their interior designer sidekicks to buy a Toy painting from the Warhol series for the children’s room to now convincing students to learn how to communicate when selling themselves and their ideas, things have changed somewhat. But it’s hard to forget the adrenaline of clinching a deal, of convincing your client that a Chagall lithograph was meant for them as you dimmed the lights in the viewing room, got them to nurse some wine and relax on the leather couch in the privacy of the gallery room. In my naïve days, I thought information deeply mattered. I thought a buyer would be interested and would demand knowledge on the background of the artist, their historical significance, the artistic significance of the piece to the provenance of the artwork. Yet over time, you get to realize that decision-making is a more irrational process and rationality comes often after the deal is do

Reviews _1187 58..64 Arora, Payal (2010) Dot com mantra Ashgate (Farnham, Surrey & Burlington VT) ISBN 978-1-4094-0107-0 190 pp £55 http://www.ashgate.com/default.aspx?page=637&calctitle=1&pageSubject=417&lang=cy gb&pagecount=1&title_id=9768&edition_id=12842 This book presents an ethnographic study on the use of computers, carried out in a marginalised town in the central Himalayas—hence among a group of remote, new computer users—with the aim to allow new perspectives to emerge and old views to be revisited. The study does not investigate if computers are good or bad, but spots the range of constraints and opportunities entailed by their use. It highlights relations between old and new technologies together with people’s beliefs, perceptions and modes of use, and reflects on the nature and implications of the learning induced. In order to reveal a perspective that is not biased by formal institutional difficulties, the study is concerned with computer use in